Carl Heinrich Bloch
(May 23, 1834 C February 22, 1890) was a Danish painter.
He was born in Copenhagen and studied with Wilhelm Marstrand at the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi) there.
His early work featured rural scenes from everyday life. From 1859 to 1866, Bloch lived in Italy, and this period was important for the development of his historical style.
His first great success was the exhibition of his "Prometheus Unbound" in Copenhagen in 1865. After the death of Marstrand, he finished the decoration of the ceremonial hall at the University of Copenhagen.
He was then commissioned to produce 23 paintings for the Chapel at Frederiksborg Palace. These were all scenes from the life of Christ which have become very popular as illustrations. The originals, painted between 1865 and 1879, are still at Frederiksborg Palace. Related Paintings of Carl Heinrich Bloch :. | Portrait of Andreas Frederik Krieger | den sjuttonarige christian tar emot nycklarna till riksregalievalvet av den doende niels kaas | The Sermon On the Mount | christian i tornkammaren pa sonderborgs | Jesus casting out the money changers at the temple | Related Artists: Jean Baptiste Huet (Paris, 15 October 1745-Paris, 27 January 1811) was a French painter, engraver and designer associated with pastoral and genre scenes of animals in the Rococo manner, influenced by François Boucher.
Born into a family of artistse his uncle was Christophe Huet, his father Nicolas Huetehe apprenticed with the animal painter Charles Dagomer, a member of the painters' guild, the Academie de Saint-Luc, Paris, who was working in the 1760s. Huet's interest in printmaking and his acquaintance with Gilles Demarteau, who later engraved many of his compositions, both date from this period. About 1764 Huet entered the studio of Jean-Baptiste Le Prince, where he further developed his printmaking skills, largely reproducing his own paintings, a method of publishing them with some profit.
In 1768 he was approved by the Academie Royale, and 29 July 1769 he was received (reçu) in the minor category (petite maniere) of painter of animals and was well received in the public reviews when he began to exhibit at the Paris Salon that same year, with a Dog Attacking Geese, now at the Louvre. He continued to exhibit annually until 1789, through his attempts at the grand manner of history painting, considered the noblest genre, were not met with approval. MASTER of Saint GillesFrench Painter, active ca.1500 Nilus, PiotrRussian, 1869-1943
|
|
|